Ok, I was wrong. When the Husband said that he planned to buy Beethoven's 9th on original instruments I begged him not to. It is a work I love and know well, always though with full modern orchestras and huge choirs. To my mind the best way to hear it is in the Royal Albert Hall (complete with the echo) with an augmented LSO and two or three choirs belting away to their hearts' content. The power is enough to blow you away. Incidentally the Proms always has the Ninth with a different very famous conductor every year and many come just to listen to that, so in the first half of the programme the RAH is half empty and than fills to capacity after the interval when the Ninth is performed.
Music played on original instruments can, in my opinion sound disappointing to someone who is used to hearing them played by a modern orchestra. I once went to a performance of the Messiah at Guildford Cathedral performed by a choir the same size as the one when the oratorio was very first performed and I'm afraid that I thought the whole thing sounded quite wimpish and it quite put me off such performances.
Anyway, and getting back to the subject, a CD arrived in the post today: Beethoven's Symphony No 9 in D minor, with John Elliot Gardiner conducting the Orchestre Revolutionaire et Romantique on original instruments and the Monteverdi Choir plus four first rate soloists. He's just played it and I have to admit - I was wrong. It had all the force, power and vitality that I love in the Ninth but individual notes and passages were far more noticeable than often is possible when a full orchestra is playing. It was so good that the Husband did not mind when the last movement overlapped with the start of the Czeck Republic v Italy match. That gives you some idea how well this specific CD was rated in this household.
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